Posts

The artistic Mr Mayhew

I have recently had the opportunity to look more closely at the almost 400 watercolours by Edward Mayhew that we acquired in 1990.

Edward Mayhew (1808-1868) was the brother of Henry Mayhew, founding editor of Punch.  It is thought he spent his early years in the theatre before enrolling at the London Veterinary College in 1843 when he was in his 30s.  He qualified as a member of the RCVS on 6 February 1845 and became a member of RCVS Council just over a year later.

Reports of the meetings in the three years Mayhew spent on Council show him to be a man who was not afraid to speak his mind, especially where the Professors at both the London and Edinburgh veterinary schools were concerned.  His rather short obituary in The Veterinarian (November 1868 p810) says very little about him except “He was well known as the author of several veterinary works.”

It is for two of  these veterinary works, Illustrated horse doctor  and Illustrated horse management , that the watercolours were prepared and most of them have counterparts in the published books.

The drawings, which were converted into woodcuts  for publication, reveal a man of no small artistic talent.

The collection includes illustrations:  of diseases

The stages of laminitis

The stages of laminitis

methods of treatment

Inserting a tube into the stomach of a horse

Inserting a tube into the stomach of a horse

show how horses, and their keepers, should be housed

Plan showing how a stable can have a grooms house attached alongside

Plan showing how a stable can have a grooms house attached alongside

They also reveal something of the social conditions at the time

A Peep into the Grooms Home

A Peep into the Grooms Home

My favourites are the ones which show Mayhew’s  sense of humour – for example this drawing titled ‘Never mount a strange horse in a crowded place.’  I particularly like the ‘flying’ dog on the bottom right!

Never mount a strange horse in a crowded place

Never mount a strange horse in a crowded place

 Update (25/8/15)

Whilst researching for my lastest blog post on Mayhew I found an interesting account of the Mayhew family in George Hodder’s  Memories of my time: including personal reminiscences of eminent men  (London: Tinsley Brothers, 1870)

The section on Edward Mayhew (pp58-62)  gives information on his health when producing these illustrations  and mentions that his brother Julius, an architect, helped with the illustrations and designs for the stables.

Edward Mayhew on dogs

In our collection of watercolours by Edward Mayhew there is only one featuring dogs.

Illustration of dogs by Edward MayhewThe top image is captioned ‘Dog with retracted eye – near the termination(?) of  distemper’ and the bottom ‘The lasting effect left by nitrate of silver when applied to an ulcer on the eye of the dog.’

The fact that there is only one painting of dogs could be considered somewhat surprising as Mayhew wrote regularly on canine matters.  For example

  • On the effects of inhalation of the fumes of ether on dogs and cats, and by inference, on the horse; with the probable utility of such in veterinary medicine. (Veterinarian 1847 Vol XX pp 86-89)
  • Comparative pathology elucidated by injection of cold water into the uterus (Veterinarian 1848 Vol XXI pp 554 -561) which describes the treatment of a bitch with an inverted and protruding uterus.
  • The catheter passable in dogs (Veterinarian 1849 Vol XXII pp 16-19) which was the first account of the passage of a urinary catheter in dogs.

In the 1848 article Mayhew reveals that his practice dealt mainly in dogs – ‘[the] public have favoured me by consulting me largely upon the disease of dogs”.  His writings on dogs culminated in the 1854 publication:

Dogs: their management:  being a new plan of treating the animal based upon a consideration of his natural temperament (London: George Routledge).

The title page states the work is ‘illustrated by numerous woodcuts depicting the character and position of the dog when suffering disease’ but the illustrator is not named.  Was it Mayhew? If not were they based on originals by Mayhew like his later books on horses?

A possible clue to the illustrator can be found in Volume 4 of Frederick Smiths Early History of Veterinary Literature and its British development  where he describes two works by Mayhew published in 1854 –  the one listed above and another Dogs: their management and treatment issued under the pseudonym F. Forester.  However Frank Forester is now known to be the pseudonym of Henry William Herbert (1807-1858)  a novelist, journalist and illustrator who emigrated to the United States in 1831.

Searching for Forester and dogs quickly lead me to a revised edition (published 1857)  of a book titled The Dog by Dinks, Mayhew and Hutchinson compiled, abridged, edited and illustrated by Frank Forester.  This book is a compilation of  three separate, previously published works, on dogs including Mayhew’s which is described as the second American edition.  Does this mean that the illustrations in Mayhew’s 1854 book (which are exactly the same in the Forester compilation as in the individually published version)  were by Forester?  Certainly that is what most people seem to believe according to my internet search.

Further searching on Forester/Herbert led me to the Life and writings of Frank Forester edited by David W Judd (London, F Warne, 1882).  The section on Forester as editor states

“As the editor of other persons’ writings … Herbert was little more than a bookseller’s hack, lending his name and making a few annotations to previously published volumes, to secure for them a more rapid sale”

So presumably the version of Mayhew’s book that Smith refers to as issued under the pseudonym F. Forester was simply a repackage for the American market.  All of which might be considered to cast doubt on Forester as illustrator of Mayhew’s book.

Whoever the illustrator was the pictures offer an interesting insight into canine practice in the 1850s.  They show how to recognise healthy dogs as in the case of the Scotch Terrier below where ‘the coat is by the artist truthfully depicted as remarkably long, full and hairy’.

Scotch Terrier

Scotch Terrier

Illustrate dogs suffering from various diseases

Edward Mayhew Dogs: their management - Inflammation of the lungsEdward Mayhew's Dogs: their management - A mad dog on the march

(Note the man running away in the background from the rabid dog)

Edward Mayhew's Dogs: their management - Acute rheumatism

and show various veterinary treatments

Edward Mayhew's Dogs: their management - Dog with canker cap onEdward Mayhew's Dogs: their management - A dog taped or muzzled for operation

John Roalfe Cox – ‘a clever pen-and-ink draughtsman’

I have previously blogged about the almost 400 illustrations by Edward Mayhew that we have in our archives. We also have a number of other  smaller collections of illustrations, one of which is the illustrated notebooks belonging to John Roalfe Cox.cox compressed

John Roalfe Cox MRCS FRCVS (?-1903) graduated from London Veterinary School in 1849 after which he studied human medicine becoming a member of the Royal College of Surgeons.  Eventually he set up a veterinary practice near Grosvenor Square which rapidly expanded until, by 1870, it was one of the largest, and most lucrative in London.

Cox was elected as a Vice-President of the RCVS in 1872 and remained on Council until 1887, serving as President from 1885-6.

His obituary (Veterinary Record 16 (785) pp53-54 records that:

“For many years [he] kept note-books in which he entered very fully the history and treatment of all his most interesting cases … He was a clever pen-and-ink draughtsman, with a neat turn for caricature.”

We are fortunate to have four books which show Cox’s artistic skill in our collection. One case-book and three notebooks containing sketches

The case-book labelled ‘Horses in accident and disease – notes on special cases’ gives detailed accounts of a number of these special cases including a case of ‘coup–de-soleil’ which Cox encountered in the ‘exceedingly hot summer of July 1858’.

He reports his attempts to soothe the horse through the application of cold compresses, at first these appeared to be beneficial but the horse got worse ‘frequently pitching forward’ and ’falling over again as soon as he got on his legs’. Cox ends his account thus:

“I felt no doubt of it being a case of sun-stroke…he had to be destroyed the following day.”

The notes are accompanied by the following illustration.

Sunstroke

Two of the notebooks contain sketches of cases with brief descriptions – interestingly one of these books labelled ‘Clinical sketches of horses in accident and disease’ appears to be the manuscript original for his only published work of the same title

Sketches include:

A case of strangulated intestine

A case of strangulated intestine

Vomiting in a case half an hour before death

Vomiting in a case half an hour before death

Tetanus

Tetanus

Stomach staggers

Stomach staggers

Appearance of a horse with fractured pastern

Appearance of a horse with fractured pastern

Posture of a horse with broken back

Posture of a horse with broken back

The fourth notebook contains some of Cox’s caricatures which show a variety of rural scenes with captions which reveal his sense of humour.

Hold hard!!

Hold hard!! Tally ho back!

Confusion of purpose

Confusion of purpose

Drawing blank

Drawing blank. Impatient foreigner “vi for so long to begin ze hunt”

A dilemma

A dilemma

Digital Collections website is live!

After months of development and tweaking, I am now very happy to show the world our fantastic new Digital Collections website!

My most recent blog posts have described the cataloguing process – with the end result of the online archive catalogue. The Digital Collections site serves the other main aim of the RCVS Vet History Project – digitising our historic material and making it available for everyone to see, from anywhere in the world.

We will be adding more and more content to the site as the project continues, but over 150 works, dating from 1613 to 1912, are currently published. These include original watercolours, photographs, letters and periodicals.

The homepage of the new Digital Collections website

You can visit the live site now at http://www.rcvsvethistory.org/

If you want to know a little bit more about how we got here – this is the story so far…

When I started at RCVS Knowledge in October 2015, there already was a Digital Archive website, which displayed some of the oldest veterinary periodicals in our collections. Whilst this site was suited to the format of periodicals, I could see that it would not work for archive material, such as letters or manuscript notes.

Archive material can be challenging to share online, as you usually need more information about the items before you can understand them. For example, when reading a letter between two individuals, they may refer to each other only by first name, talk about places such as ‘the office’, or ‘the hospital’, or just write ‘Saturday’ for the date. The archivist of a collection will know which people and places are being referred to, and at least an approximate date the letter was written. If this information (or metadata) can be displayed alongside the images, then that provides some context for the researcher. Additionally, if the metadata is searchable, this will help researchers find the material more easily in the first place.

Letter to Fred Bullock from Frederick Smith, 1912 – with final paragraph written up the side

Quite a lot of archive material is also handwritten, which presents another difficulty. Not only can the writing be hard to decipher, it can be written at right angles, in different colours, and sentences can carry on over two pages. To make this as easy to read as possible, you need high resolution, colour images that you can easily rotate and zoom, and quickly navigate between.

Last year, Adele and I began a search for existing platforms that met our requirements for image display. We looked at other digital archive websites, but discovered that the choice seemed to be between complicated multi-functional software for huge organisations, or simple online galleries, better suited to photography and online stores. A third option was to build something ourselves, using open-source software, and I loved the look and functionality of the Universal Viewer tool, used by the Wellcome Library, Bodleian Library and British Library. We are on a slightly smaller scale than these institutions, but our needs were the same! So we contacted Digirati, the developers of the UV, and they worked with us to create a modification of the Viewer, and invited us to take part in the pilot of Wellcome’s Digital Library Cloud Services platform.

Screenshot of the Universal Viewer displaying a close up zoom of a manuscript letter.

The Universal Viewer also allows us to link from the images of the material to the library or archive catalogue record. I knew that I wanted users of the Digital Collections website to easily see and understand how one archive item relates to others in the collection. This is helped by linking to the archive catalogue, but we have also included a content ‘tree’ on the website, which users can expand and collapse to see what is on the whole site quickly and easily.

Underneath each Universal Viewer gallery, you can see the location of the currently displayed item within a tree of all content on the website. By expanding and collapsing the branches, you can quickly navigate to other items

As well as providing access, we wanted to encourage engagement between us and users of the site. You can share content by embedding individual Universal Viewer galleries on social media, and contribute additional knowledge and insight by suggesting your own tags.

We hope RCVS Vet History Digital Collections can become an active hub for interaction between veterinarians, historians and the general public eager to learn more about the fascinating past of the profession.

So take a look and let me know what you think! If you would like to be notified of major updates to content, please sign up to the mailing list here.

Introducing Helena!

Hi, my name is Helena and I am the new Archive and Digitisation assistant. My role, like Adele’s before me, is to assist in the digitisation and online accessibility of documents within the archive and historical book collection.  I hope to one day become a fully qualified archivist so this role is a wonderful opportunity for me and a step towards that dream. I have recently been lucky enough to be accepted onto the Archives Management MA programme at UCL; so it’s been an exciting couple of months for me. Previously I have been a volunteer in the Stanley Kubrick archives at UAL and I have also volunteered my time with conservation staff at the Royal Museums of Greenwich.

Helena, in the RCVS Knowledge office

You are probably now aware that the website on which you can browse through these collections (hundreds and hundreds of years of veterinary history!) is now live. There are so many interesting and weird and wonderful artworks, letters, and articles to delve into. I’ve read about subjects ranging from singing to hogs to the medical properties of Marshmallow.

The medical properties of marshmallow and liquorice, from ‘The Veterinarian’ Volume 4, Issue 1, January 1831

It’s fascinating to be a part of helping to make this history more accessible and to work with varied material.  For example, Frederick Smith’s Boer War letters, even though tricky to read, have been insightful personal accounts into wartime conditions. The website seems to give them a new lease of life, and with the Universal Viewer, you can view the handwriting in amazing detail. A selection of the letters are currently being transcribed. I think the hardest thing for me is to not stop to read too much and get distracted! So far I am finding it a captivating and enjoyable task.

Letter from Smith to his wife Mary Ann, from North of the Tugela River, South Africa, 22 January 1900 [FS/2/2/4/2/8]

Personally my favourite material is the Edward Mayhew watercolour collection – though the artworks detail many unfortunate circumstances, and sometimes his artwork depicting disease and veterinary practice is not for the squeamish!

‘Shyers’ by Edward Mayhew [EM/1/2/1]

There is a great deal more to come and more decisions to be made on what to scan. You can also follow the highlights of the collection on Twitter and Facebook where we regularly post updates, explain the functionality and features, and sometimes ask questions for readers to try and help us answer. Most recently we have been stumped with what the disease ‘Chewgore’ could be, as mentioned in the journal ‘The Veterinarian’, the writers are perplexed themselves.

The Chewgore in Sheep, from ‘The Veterinarian’ Volume 3, Issue 6, June 1830

Please let us know what you think! We value your feedback on your experience with the site. Feel free to join in with tasks like suggesting tags to enhance the searching the collection for other readers. We may one day be able to search within the actual text of printed works with OCR (optical character recognition) technology; though we will keep you posted on this.

I am hoping to get more involved with promoting the works that I interact with; I will post about my unusual and interesting finds as I scan my way through the collections. The site is filling up fast so I know we won’t be short of things to talk about.

If you are interested, then don’t hesitate to visit the site here. To make sure you don’t miss any of the highlights of the collection, follow our Facebook Page, Twitter account @RCVSKnowledge and also follow the hashtag #vetarchives.

The Quarterly Journal of Veterinary Science in India and Army Management

‘The Quarterly Journal of Veterinary Science in India and Army Animal Management’

We have recently uploaded our collection of ‘The Quarterly Journal of Veterinary Science in India and Army Animal Management’. In our Library we hold all eight volumes and the specimen issue.

This Quarterly Journal was the very first British veterinary periodical to be devoted to India. We are actually quite lucky to hold these surviving volumes as copies are scarce.

Specimen issue of ‘Quarterly Journal of Veterinary Science in India and Army Animal Management’. Published in 1882

Fred Smith (who you can read about here) contributed to the journal by providing noteworthy papers on hygiene and diseases along with clinical records.  Smith writes about the ‘The Quarterly Journal of Veterinary Science in India and Army Animal Management’ in his own autobiography, which is an interesting insight into the struggles the journal went through. Smith had to go to great lengths in order for it to be published. At one point in his autobiography Smith writes; “I had to live in the printing office while the Journal was being printed”. The first printer and publisher Smith worked with (who could read English but not speak it) died before the first volume managed to be distributed.

The journal did not make a profit at any time during its print run and Smith and the founding editor John Henry Steel would have to use their own funds to cover its expense.

“We received no help from home. I do not think we had a single English Subscriber … It was a bold and expensive venture and I was glad to be relieved of the financial burden”

In 1885 Smith severed his ties to India as he was invalided back to England and withdrew from co-editorship in 1887 leaving Steel to carry on alone until his death in 1891.  With Steel’s death the Quarterly Journal also met its demise.

The last editorial of John Henry Steel entitled ‘Cui Bono’. Steel passed away in January 1891

It’s rare to find out some of the history behind a journal, how it came to be and the obstacles it faced. It’s provided me with a deeper appreciation of the content and certainly explained the continuity errors which, at times, frustrated me during the digitisation process. Now I’m very much impressed by Smith and Steel’s work. Especially Steel; who wrote throughout his serious illness. He shouldered the journal largely alone. You can find out more about this dedicated man, in this blog post here including further insights into this pioneering periodical.

Smith believed the journal was of equal interest to an English audience as it was to an Indian one. I hope those interested in veterinary history and literature will enjoy reading the volumes now.

As you can see the image below features content from the periodical  including work  by T. J. Symonds: ‘Illustrations of Indian materia medica. If you are interested in seeing more of these gorgeous full coloured illustrations and also finding out more about their creator please click the link above.

You can read the volumes of ‘The Quarterly Journal of Veterinary Science in India and Army Animal Management’ on our Digital Collections website here

Selection of diagrams and illustrations featured inside the periodical.

A Few Of My Favourite Things

I thought before I leave my role here, and go off to study for my MA in Archives and Records Management, it would be a nice idea to share snippets of my favourite finds and favourite materials that I’ve had the pleasure of working with during my time with RCVS Knowledge’s historical collections.

For those of you who also follow us on social media you might be aware of some of the fun we’ve had using hashtags whilst photographing our daily finds and tasks.

I have enjoyed never having to beat the Monday blues whilst I’ve been working here. In fact Mondays have been every colour imaginable and I’ve been celebrating that with #marbledmondays on our Instagram account

Highlights of our #marbledmondays photographs on Instagram

It didn’t stop with Mondays – #tinytuesdays, #waybackwednesdays, #throwbackthursdays and #finebindingfridays, have all allowed me to engage with our library and archive collections in new ways, and of course, to show them off!

More photographs showing off our collections!

I have also adventured to far-flung lands alongside fascinating people, such as Captain Richard Crawshay, who authored the book The Birds of Tierra del Fuego (published in 1907). His letters are now transcribed and can be viewed via our Digital Collections website here.

Page from letter to Frederick Smith from Richard Crawshay, Useless Bay [Inutil Bay], Tierra del Fuego, [Chile], 29 Jan 1905 [FS/3/3/3/1]

This is one of my favourite quotes from Crawshay’s letters (pictured above):

“The most sensational birds I have – to me at least are a tiny Reed Warbler no larger than a Bumble Bee, a tiny black wren from the depths of the forest at the entrance of Admiralty Sound, a tiny tiny owl from the forest weighing exactly 3 oz, probably the largest bird of prey in the island – an Eagle measuring 5ft 91/2 inches from wing tip to wing tip…”

One of my favourite people to get to know was Henry Gray, an early 20th century veterinary surgeon. I am cataloguing his papers and have learnt so much through the words of his correspondents. Henry Gray’s papers have given me a great insight into the plight of the veterinary professional in the 1900’s. Through Gray and his peers I have learnt about the veterinary surgeon’s tremendous work ethic and their incredible anatomical, clinical, pathological and physiological knowledge. One of the most interesting letters I found in Gray’s papers was one where he had a response from a librarian from the Royal Society of Medicine after requesting Ivan Pavlov’s research into canine hysteria and neurasthenia. It put Gray’s life into a greater context for me – imagine being able to reach out to Pavlov himself for your own research?

Letter to Henry Gray from H E Powell, Librarian, Royal Society of Medicine, 9 Oct 1929

The most recent exciting discovery was a batch of finely detailed 19th century artworks which the archivist found tucked away in a cupboard. The pieces have now been carefully restored and we have an online shop where you can pick up a select few as prints! (You can visit the shop here: shop.rcvsvethistory.org) I enjoyed getting to digitise these amazing paintings and drawings, even though the art is as equally beautiful as it is grisly! Ovet the next few months, we are going to be asking our Instagram and Twitter audience to help us identify the parts of the anatomy we can’t, so stay tuned for that! There are many other amazing artists in our collection and it was interesting for me to find out that some of them had actually practiced as veterinary surgeons too, such as Edward Mayhew and John Roalfe Cox.

Anatomical artwork by Joseph Perry, January 1835. From the Field Collection.

A page from John Roalfe Cox’s sketchbook

Thank you to everyone who has been following along with us. I have had so many great experiences in my time working for RCVS Knowledge. I’ve been here over a year and there is still so much more to discover. I’m so glad to have had a hand in sharing the important historical value of such an amazing profession.

-Helena-

A delve into veterinary case notes…

From February to April this year, RCVS Knowledge were very pleased to welcome Claudia Watts, an MA History student from King’s College London. As part of her studies, Claudia was tasked with selecting highlights from Fred Smith’s veterinary case notes, and digitising and transcribing them for us. The results are now published in our Digital Collections, and here Claudia shares some of her thoughts on the project.

Over the past few months, I have had the wonderful task of exploring and transcribing the incredible sources left behind by Veterinary Surgeon Frederick Smith during his time in India in the 1880s.

The further I delved into the mountain of work he left behind, I developed a clearer picture of this man; relentless, dedicated and a complete workaholic.

I have uncovered some truly unique treasures – often turning a page only to have my breath honestly taken away as I stumbled upon beautiful artwork (FS/2/2/2/1/7), unique photographs (FS/2/2/2/1/10) and of course mounds of fascinating case notes and reports. His work provides wonderful insight not only into the man himself, but also the workings of the Army Veterinary corps. In addition to this, it has been fascinating to see how he has used his findings and research to educate. Many case notes appearing in his articles and manuals. Within these folders are pieces of crucial veterinary history as Smith helped guide the profession, contributing to the institution today.

Sub pleural Emphysema [FS/2/2/2/1/7]

Transcribing his work has been a challenge I have never faced before, and I have a newfound appreciation for the patience and hardwork of an archivist. Smith’s handwriting, to say the least, is rather tricky! But after a few days, and then a few weeks I have cracked it. That satisfaction of becoming a specialist in one individual’s handwriting is strangely thrilling! Staring at one mystery word for an hour and triumphantly declaring “manually!! He means manually!!!” has probably caused my colleagues sitting near me a few headaches….

“was got up two or three times during the day in order to ease the lungs…” Extract from the case notes for Horse E-16 [FS/2/2/2/2/3]

At times his work left a bitter-sweet taste, as he describes horses who despite all odds cling to life. When reading his work it becomes clear he had a deep appreciation and respect for the animals in his care. A piece which has become a personal favorite of mine, comes from the folder on Fractures and Wounds. Horse E-16 while being treated:

“…suddenly wheeled round,

ran back then rushed forward, turned sharp and jumped a

Bamboo hen Coop and then started off at a mad gallop

towards the troop lines and bolted into the angle formed by

two walls dashed his head against the wall and lay doubled

Up.”

Smith includes a sketch of the horse, and states that the horse “with its characteristic facial expression enabled me to recall this case when I raised this in June 1927 namely 47 years after the event.” Despite all that time, and probably after hundreds of other horses had come under his care he remembered E-16.

Sketch of Horse E-16 [FS/2/2/2/2/3]

It truly has been an eye opening few months, and to have had the opportunity to work so closely with such wonderful materials has been a pleasure. I am so grateful to everyone at RCVS Knowledge. I hope the sources I have transcribed and digitized will be of use and potentially encourage individuals to take their own journey into these amazing resources.

by Claudia Watts, MA History, Kings College London

To explore these veterinary case notes yourselves, visit our Digital Collections website, or contact us to view the full collection in person.

Guest Post – Jane Davidson: Venues of Veterinary History

As I work through the archive material for my PhD, the people and the places leap off the page and create such a vivid picture of the events I’m reading about. The places, in particular, are striking a chord with me as so many of them are in London, my home for over 20 years. I am fascinated by the history of London buildings and how they chart the rise and fall of different areas over time. The records of meeting venues has had me looking up what these buildings are used for today. Once this lockdown is over, I hope to be able to take a walking tour of the places that are becoming familiar to me as key venues in veterinary history.

At a time when the team at the RCVS are scattered to their homes to work and Belgravia House stands empty, it might seem odd to focus on places and locations. However, from the archives, it is clear that the veterinary profession is a body of people used to being an identifiable presence despite a lack of a permanent home. The RCVS has moved premises and had temporary bases in their history, and this is just a part of the process of professionalisation that will continue with the move from Belgravia House that is planned.

Freemasons’ Tavern

The first recorded venue for meetings of the RCVS is The Freemasons Tavern, in use regularly since 1844. On Great Queen Street in Lincolns Inn Fields, the street is probably known to many now as a quick route from Holborn tube to Covent Garden. I have used this route many times to avoid the inevitable tourist crush at Covent Garden. It’s an unusually wide and open street in an area where the buildings are usually packed in tightly together. The stone used for the buildings on the western side of the street is a very light colour and this adds to the feeling of space. Compared to the narrow streets and damp looking dark red London brick of the surrounding streets, my memories of the street are that it is always sunny. The street houses many buildings related to the Freemasons and this has allowed a coordinated approach to building layout and design, which shows in the street’s different style from the earlier buildings around it. Now the site of the Connaught Rooms, the building of 1844 has been rebuilt several times. A popular meeting place that has been used by many associations, it is perhaps most famous for being the venue for the first meetings of the Football Association. A Freemasons Tavern still exists but is now on Long Acre, just around the corner.

Official notice of the first RCVS Annual General Meeting in The Gazette

The Freemasons Tavern was advertised as the meeting place for the newly formed RCVS. This was put into several papers in London, Edinburgh and Dublin, and the meetings were a mix of private matters for the College but also a way to engage with the public.

Red Lion Square

The minutes of an RCVS meeting in 1846 noted a lack of finance as the reason for the RCVS not having a permanent location for their sole use as a corporation. It was in 1853 that the RCVS made 10 Red Lion Square their first home. A previously notorious area, it had been transformed into a gated square and by the early eighteenth century was used for both residential and professional purposes. The business users were medics and lawyers, and so the veterinary profession was to join established professions in the neighbourhood. From the RCVS building in Red Lion Square, we have the stained glass Coat of Arms of the RCVS and the veterinary schools, which are currently in the reception of Belgravia House. These windows have followed the College through three different buildings over the years, and you can read more about their history elsewhere on this blog.

The Coat of Arms of the Royal College of Veterinary Surgeons, on display in the reception at Belgravia House

The RCVS remained at Red Lion Square for over a century, apart from interruptions during the Second World War when the library remained in Red Lion Square but other RCVS activities were temporarily moved to Wembley. The bombing raids of May 1941 saw the assistant librarian Miss Molly Raymer go to the building to check on it after the night of bombing. More worried about water damage, she reported being met with a torrent of water coming through the library ceiling! Red Lion Square is still there, and the buildings are beautiful, but sadly numbers 9 and 10 are no longer standing. However, it is still worth a visit as, despite more modern buildings taking its place, it still has the air of a grand London garden square.

Painted engraving of Red Lion Square in 1800

Walk the History

A walk between these three places provides a wonderful way to see much of London. Red Lion Square to Horseferry Road is around a 45-minute walk and you can incorporate many London landmarks. The Freemasons Tavern to Red Lion Square is a shorter 10-minute walk. It is possible to spend a pleasant afternoon walking the history of the places of the RCVS from Red Lion Square to Belgravia House – missing out on the need to go to the wartime home of Wembley!

-Jane-